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There are some brilliant sounding books out there in the world at the moment, and I’m kicking myself for not having enough time to read them all!  Today I am thrilled to share a guest post by Seth Lynch about his writing process, and I have to say I am amazed, and a little exhausted just thinking about it!

A Dead American In Paris cover

Description:

Paris. 1931.

Arty Homebrook lived and died in a world of sleaze which stretched from Chicago to Paris but never beyond the gutter.

He’d been sleeping with Madame Fulton, which is why Harry Fulton promised to kill him. So far as the Paris Police are concerned it’s an open and shut case. Harry’s father has other ideas and hires Salazar to investigate.

As Salazar gets to grips with the case he’s dragged reluctantly into an unpleasant underworld of infidelity, blackmail, backstreet abortions and murder.

Salazar is far too inquisitive to walk away and far too stubborn to know what’s for the best. So he wakes up each hungover morning, blinks into the sunlight, and presses on until it’s his life on the line. Then he presses on some more, just for the hell of it.

Seth’s books can be purchased directly from the publisher, Fahrenheit Press:

A Citizen of Nowhere (Salazar Book 1): http://www.fahrenheit-press.com/books_a_citizen_of_nowhere.html

A Dead American in Paris (Salazar Book 2): http://www.fahrenheit-press.com/books_a_dead_american_in_paris.html

The Paris Ripper (Chief Inspector Belmont Book 1): http://www.fahrenheit-press.com/books_the_paris_ripper.html

 

Guest Post:

After writing my first complete novel, A Citizen of Nowhere (Salazar #1), I wanted to keep on writing. I settled on a simple plan, write daily and don’t look back until the end. It is pretty liberating, but I was writing with absolutely no plan at all. I had a few vague notions, a scene or two that I wanted to include, but nothing else. So I ended up with a first draft that was not only badly written (who cares, it’s a first draft) but the crime didn’t make sense, the solution didn’t make sense and a lot of the characters were wooden. Rather than solve these problems I ignored them and wrote Salazar #3 using the same method. No prizes for guessing that the result was pretty much the same.

I eventually decided to re-write Salazar #3 without Salazar. This meant developing Chief-Inspector Belmont from a secondary role into the main character. I gave Belmont his own team, a boss who doesn’t like him, a wife with some dubious sexual morals and a lover she shares with her husband. I added in a back story for Belmont and a side story to complement the main theme. The finished book contained about 10% of the original Salazar #3 draft. I renamed it The Paris Ripper and it’s available through Fahrenheit Press.

I then went back to Salazar #2, A Dead American in Paris. Belmont makes his first appearance in this book but I now knew him and his team. I started the novel again with the original draft as a guide. I’d say about a quarter of the first draft remains and the book is a lot better for losing the other three-quarters. But writing an entire novel only to use it as a synopsis is not an efficient way to work.

I still like the idea of just sitting down and writing but it’s a lot easier if you know where you’re going first. I’ve written another novel since A Dead American which, hopefully, should be out via Fahrenheit later in the year. I wouldn’t say that I planned it all out in advance, but I did have a sketched outline before I began. When I came back to re-work that first draft I could concentrate on improving the text and not cutting way whole chapters while desperately filling in the plot holes.

A Citizen of Nowhere (Salazar #1), The Paris Ripper and A Dead American in Pairs (Salazar #2) are all available through Fahrenheit Press. The Paris Ripper is a standalone book but the events occur after those of A Dead American.

 

About the Author:

seth lynch

Born and brought up in the West of England, Seth has also lived in Carcassonne, Zurich and the Isle of Man.

With two daughters, his writing time is the period spent in cafés as the girls do gym, dance and drama lessons.

Social Media Links:

Twitter: https://twitter.com/SethALynch

Amazon Author Page: https://www.amazon.co.uk/Seth-Lynch/e/B00E7SZ3FS/ref=dp_byline_cont_ebooks_1

Facebook: https://www.facebook.com/sethlynchauthor/

 

Dead American Paris

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Rubicon Cover

** My thanks to Emma at damppebbles blog tours & Fahrenheit Press for my copy of this book and for inviting me to be part of the blog tour **

 

Description:

Two cops, both on different sides of the law – both with the same gangland boss in their sights.

Sam Batford is an undercover officer with the Metropolitan Police who will stop at nothing to get his hands on fearsome crime-lord Vincenzo Guardino’s drug supply.

DCI Klara Winter runs a team on the National Crime Agency, she’s also chasing down Guardino, but unlike Sam Batford she’s determined to bring the gangster to justice and get his drugs off the streets.

Set in a time of austerity and police cuts where opportunities for corruption are rife, Rubicon is a tense, dark thriller that is definitely not for the faint hearted.

My Thoughts & Review:

Rubicon is a book that you pick up when you have a free day, it’s the sort of book that once you start, you will not want to put it down again.  It’s gripping, it’s dark and it’s utterly thrilling!

The narrative is seen from the perspective of two characters, DS Sam Batford and DCI Klara Winter, and for all intent and purposes they are on the same team but their end goals are vastly different.
Batford is an undercover agent with Metropolitan Police, and the impression he gives through his somewhat narcissistic narrative is that he’s a renegade, a damned good one though.  He’s a bit of a loose cannon, but he seems to get results, even if he doesn’t follow the rule book.
Winter on the other hand is the polar opposite, she follows the rules, she works as part of a team, and there’s no question as to whether she may be rogue or not.  Through a series of diary/journal like entries, the reader is privy to her frustrations and anger at how the current case is progressing and the politics between police departments.

It’s clear from the snappy writing that the author has experience of policing and his ability to say so much without overdoing it is superb.  The plot is pacy and taught, the characters are the sort that you almost want them to be caught out, you almost want to see Batford get caught out at times … even just to see him talk his way out of it.

It’s an action packed, thrilling read that grabs the reader from the outset and leaves you wondering who exactly the bad guy is.  It’s clever, the plotting is great and characterisation spot on!
Ian Patrick is an author I will be keeping an eye on from now on and Rubicon is highly recommended!

You can buy a copy of Rubicon via:

Amazon UK
Fahrenheit Press (Publisher)

 

About the Author:

Educated in Nottingham, Ian left school at sixteen. After three years in the Civil Service he moved to London for a career in the Metropolitan Police.

He spent twenty-seven years as a police officer, the majority as a detective within the Specialist Operations Command. A career in policing is a career in writing. Ian has been used to carrying a book and pen and making notes.

Now retired, the need to write didn’t leave and evolved into fiction.

Ian’s Social Media:

Twitter: https://twitter.com/IPatrick_Author

Amazon Author Page: https://www.amazon.co.uk/Ian-Patrick/e/B075VB1MP4/ref=dp_byline_cont_ebooks_1

 

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