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There are some brilliant sounding books out there in the world at the moment, and I’m kicking myself for not having enough time to read them all!  Today I am thrilled to share a guest post by Seth Lynch about his writing process, and I have to say I am amazed, and a little exhausted just thinking about it!

A Dead American In Paris cover

Description:

Paris. 1931.

Arty Homebrook lived and died in a world of sleaze which stretched from Chicago to Paris but never beyond the gutter.

He’d been sleeping with Madame Fulton, which is why Harry Fulton promised to kill him. So far as the Paris Police are concerned it’s an open and shut case. Harry’s father has other ideas and hires Salazar to investigate.

As Salazar gets to grips with the case he’s dragged reluctantly into an unpleasant underworld of infidelity, blackmail, backstreet abortions and murder.

Salazar is far too inquisitive to walk away and far too stubborn to know what’s for the best. So he wakes up each hungover morning, blinks into the sunlight, and presses on until it’s his life on the line. Then he presses on some more, just for the hell of it.

Seth’s books can be purchased directly from the publisher, Fahrenheit Press:

A Citizen of Nowhere (Salazar Book 1): http://www.fahrenheit-press.com/books_a_citizen_of_nowhere.html

A Dead American in Paris (Salazar Book 2): http://www.fahrenheit-press.com/books_a_dead_american_in_paris.html

The Paris Ripper (Chief Inspector Belmont Book 1): http://www.fahrenheit-press.com/books_the_paris_ripper.html

 

Guest Post:

After writing my first complete novel, A Citizen of Nowhere (Salazar #1), I wanted to keep on writing. I settled on a simple plan, write daily and don’t look back until the end. It is pretty liberating, but I was writing with absolutely no plan at all. I had a few vague notions, a scene or two that I wanted to include, but nothing else. So I ended up with a first draft that was not only badly written (who cares, it’s a first draft) but the crime didn’t make sense, the solution didn’t make sense and a lot of the characters were wooden. Rather than solve these problems I ignored them and wrote Salazar #3 using the same method. No prizes for guessing that the result was pretty much the same.

I eventually decided to re-write Salazar #3 without Salazar. This meant developing Chief-Inspector Belmont from a secondary role into the main character. I gave Belmont his own team, a boss who doesn’t like him, a wife with some dubious sexual morals and a lover she shares with her husband. I added in a back story for Belmont and a side story to complement the main theme. The finished book contained about 10% of the original Salazar #3 draft. I renamed it The Paris Ripper and it’s available through Fahrenheit Press.

I then went back to Salazar #2, A Dead American in Paris. Belmont makes his first appearance in this book but I now knew him and his team. I started the novel again with the original draft as a guide. I’d say about a quarter of the first draft remains and the book is a lot better for losing the other three-quarters. But writing an entire novel only to use it as a synopsis is not an efficient way to work.

I still like the idea of just sitting down and writing but it’s a lot easier if you know where you’re going first. I’ve written another novel since A Dead American which, hopefully, should be out via Fahrenheit later in the year. I wouldn’t say that I planned it all out in advance, but I did have a sketched outline before I began. When I came back to re-work that first draft I could concentrate on improving the text and not cutting way whole chapters while desperately filling in the plot holes.

A Citizen of Nowhere (Salazar #1), The Paris Ripper and A Dead American in Pairs (Salazar #2) are all available through Fahrenheit Press. The Paris Ripper is a standalone book but the events occur after those of A Dead American.

 

About the Author:

seth lynch

Born and brought up in the West of England, Seth has also lived in Carcassonne, Zurich and the Isle of Man.

With two daughters, his writing time is the period spent in cafés as the girls do gym, dance and drama lessons.

Social Media Links:

Twitter: https://twitter.com/SethALynch

Amazon Author Page: https://www.amazon.co.uk/Seth-Lynch/e/B00E7SZ3FS/ref=dp_byline_cont_ebooks_1

Facebook: https://www.facebook.com/sethlynchauthor/

 

Dead American Paris

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